Live Art

From the UK’s Live Art Development Agency:

Disrupting borders, breaking rules, defying traditions, resisting definitions, asking awkward questions and activating audiences, Live Art breaks the rules about who is making art, how they are making it and who they are making it for.

Live Art practices have proved to be especially equipped to meet the complexity and sophistication of contemporary audiences’ values, identities and expectations. Live Art questions assumptions and defies expectations about who an audience can be, what they might be interested in, and the means by which they can be addressed.

Live Art occupies a huge range of sites and circumstances, from the institutional to artist led interventions; from actions in galleries and performances in theatres, to artists working outside of the constraints of official culture, within civic or social spheres, in challenging and unexpected sites, or at the points where live and mediated cultures converge. Some may experience Live Art in a gallery, others in a theatre, and others still as an occurrence in some unusual location or a process in which they are involved.

Live Art can also span extremities of scales – from intimate one on one encounters, to civic spectacles, to the mass participation of virtual events. Wherever they may take place or whatever shape they may be, Live Art practices are concerned with all kinds of interventions in the public sphere and all kinds of encounters with an audience.

Live Art offers immersive experiences, often disrupting distinctions between spectator and participant. Live Art asks us what it means to be here, now. In the simultaneity and interactivity of a media saturated society, Live Art is about immediacy and reality: creating spaces to explore the experience of things, the ambiguities of meaning and the responsibilities of our individual agency.

Live Art is on the frontline of enquiries into what our culture is and where it is located, who our artists are and where they come from, what an audience can be and how they can be addressed.

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