Robert Guth

Old friend from high school (also by coincidence a mutual friend of Freakley‘s).

He is to blame for first introducing me to the term “relational aesthetics” in 2007 whilst telling me about his PhD project, which involves mounting events at which he hands out loaves of self-baked bread in exchange for whatever participants think they’re worth, documenting the exchange, then exhibiting the documentation and the objects received.

From recent FB event blurb:

“Bring whatever you think a loaf of bread is worth down to the SmithDick venue in the bus interchange and swap it. It’s up to you – a toaster or tea cup, an old TV or maybe even a piece of art. We won’t question your sense of value; if you say it’s worth BREAD then it is worth BREAD.

Besides the joy of BREAD why is this happening? Why is this art, not a bakery? Robert makes artworks that encourage the viewer to think about the value of their time, stuff and money. He likes baking bread and has found a way to use his passion as part of his art making and PhD project at the ANU School of Art.

This artwork is part of his research in to how participants (people who like BREAD) value objects and participation. You may be documented and chatted to when you come down for your BREAD.”

Canberra Times article about above event. Piece by Robert about the project.

Luke Hand

I first met Luke in 2008 after being introduced to his apparently now dormant musical project Dizzygiggles by a mutual friend. I gave him a copy of The Mishukis’ Everyone’s Too Stupid and he reciprocated by sending me a double-sided CD of his songs ingeniously fashioned from two CDs hand-glued together, with a personalised sleeve written on what appeared to be toilet paper. Since my old toploader died I can’t play it anymore, but it’s still a treasured possession.

Back then he was, like me, working in a market research callcentre; these days he’s studying Sound Art at RMIT. Last year he produced an audio collage intended to convey the ambiance of a football match which was played over the loudspeakers at the MCG as part of Sports Club 2: The Arena for Next Wave.

More recent projects include calculating the metrics of a bag of chips, painstakingly re-rendering page one of the September 12, 2001 edition of the New York Times at 8x life-size in colour pencil, producing an album of original sound pieces based on The Telegraph’s laughably pretentious track-by-track review of the new Radiohead album, etc, etc, etc, etc. His phone seems to be a fairly significant tool of his practice, which of course we like.